![]() The fact that she likes women is completely accepted.”Ĭottin plays one of four showbiz agents, variously betraying, bolstering, spying on and supporting one another, while dealing with the carousel of egos that is their clientele. The subject is how it is hard for her to commit to a relationship, because what she likes is the act of seduction. It generated a lot of discussion, partly by being great, and partly because it was, as she says, the first prime-time French drama to feature a lesbian whose “homosexuality was not the subject. Then at the last minute, they spent hours making me look like Marge Simpson.”Ĭall My Agent, about a talent agency, has been a fantastic calling card, illustrating how much greater Cottin’s range was than “clown”. FLEABAG SEASON 2 TORRENT TVThe timing of her next TV show, Call My Agent, was fortuitous: with the benefit of subtitles and Netflix distribution, Cottin reached an international audience for the first time – unless you count her role in 2016’s second world war film Allied, with Brad Pitt, of which she mourns: “My hair! I was so happy, I was in Hollywood. Range … Cottin in Call My Agent (Dix Pour Cent) on Netflix. But when I met people in the industry, they’d say ‘Hello’ in the manner of, ‘Don’t try any of your shit with me.’ And I was so surprised. I thought it was clear it was a character, not even a real character, basically a clown. Everybody, even in the industry, thought I was like that, that I was really a bitch. Because it was hidden cameras, people didn’t know at all that I was an actress, that I’d been an actress for 15 years. She was well regarded but little enough known that when her breakthrough show, Connasse, came out in 2013, viewers struggled to understand exactly what they were watching: a prank TV show, an edgier Trigger Happy TV. They were never filled, but those five or six people really lost themselves.” FLEABAG SEASON 2 TORRENT PROFESSIONALBut her professional life has been lived almost entirely on the French stage. The actor spent her teenage years in London, hence her easy navigation of the exact right word. They all told me, ‘You have to have bollocks to do this.’ No, bollocks is not correct. And they are shocked by the role in terms of sexuality. ![]() Now you’ve made me depressed.’ Everybody reacts to the darkness rather than the comedy. Everybody calls me and says, ‘This is really hard to watch. ![]() “France is not accustomed to dark comedy. Everybody calls me and says: 'This is really hard to watch'Īnd that’s nothing to how audiences on the other side of the Channel have taken to it. All there is that way is addiction and death.” France is not accustomed to dark comedy. Talking about the role, Cottin instinctively amplifies its desperation over its comedy: “Fleabag is completely emancipated but, at the same time, she’s a slave to her impulses, she’s not free at all. ![]()
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